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Category: AUDIO USED

Showing 25–36 of 41 results

  • SYMNET EXPRESS COBRA: 295.00 – 1. available

    [wpforms id="87" title="true"]Symmetrix DSP box with CobraNet integration.

    SymNet™ is a scalable DSP platform configured by SymNet Designer software and made by Symetrix. Installed in Convention Centers, Sports Arenas, Houses of Worship and many other venues throughout the world, consultants, integrators and end-users rely on the robust stability of the SymNet platform. SymNet is an open architecture system. This means DSP modules (EQ, compression, etc.) are placed into the design and connected using standard drag-and-drop methods. Various SymNet hardware can be chained together to provide a custom audio solution for the client. SymNet’s main advantage can be summed up in one word: “Options”. Options for DSP processing, options for audio routing and options for control.

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  • TC Electronics D-two – 175.00 – Digital Delay
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    The 1U‑high D•Two is intended to be equally at home in live or recording applications, and follows a stereo‑in, stereo‑out format using balanced quarter‑inch jacks and S/PDIF digital I/O on co‑axial connectors.

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  • TC Electronics M-one – 195.00 – 3. available – Effects Processor
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    M-One – Dual effects processor

    Behind the cool looking exterior of this Dual Effects processor is more than 20 years of know-how and experience in creating high quality sound machines with state-of-the-art sound. The M-One combines our heritage with affordability!

    More than 20 high quality algorithms enable you to make music instead of wasting time programming! Let TC’s world acclaimed intuitive user interface take you there fast and easy.

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  • TC Electronics Reverb 4000 – 795.00 – 1. available –
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    The TC Electronic Reverb 4000 is a single-engine stereo version of Reverb 6000, featuring the best reverbs and presets from Reverb 6000 and M5000 as well as emulations of numerous immortal classics. Reverb 4000 is also the first stereo Reverb capable of rendering credible space onto two discrete sources, or to truly process a composite stereo source. Utilizing the latest hardware technology and software based upon 30 man-years of development, Reverb 4000 offers the most immense and innovative selection of State-of-the-Art stereo Reverbs – at the touch of a button. Designed as a single rack space module with an extremely easy to use instant access interface, and with the option of using the ICON software editor for PC (Mac OSX version available spring 2004) in DAW environments, the Reverb 4000 is the ultimate choice for live- and studio applications working in stereo.

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  • Yamaha D-1030 Delay: Make an offer – 3. available

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    The D1030 Digital Delay Line is a high performance delay line with on-board EQ designed for commercial sound applications – especially those requiring excellent sound quality and extended dynamic range.

    It features a 1-in/3-out configuration with independently programmable delays of up to 1300 milliseconds for each output. 15 memory locations are provided so preset programs including delay and EQ settings can be prepared and easily recalled when needed.

    Programs may be recalled via the front-panel controls, by using a contact-closure system, or via MIDI.

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  • Yamaha LS916 console: 1750.00 1. available 16ch digital console

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    The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha’s digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there’s also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.

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  • Yamaha LS932 console (Referral): 2695.00 – 4. available

    [wpforms id="87" title="true"]A Referral is equipment owned and sold by a third party owner. Allstar will send you the contact information after you fill out the contact form.

     

    LS9-32 Digital Mixing Console

    • 32 mono mic/line input and 4 stereo input channels, expandable up to 64 channels in two layers.
    • 16 mix buses, 8 matrix buses, plus stereo and mono buses with LCR mode.
    • Compact and light enough for one person to move and set up easily. (19.4 kg)
    • Virtual Rack packed with effects and EQ for just about any processing requirements

     

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  • Yamaha M7CL-48 Yamaha Console: 3995.00 each – 3. available

    [wpforms id="87" title="true"]Package consists of:

    1 x M7CL-48 Console

    1 x Roadcase

    These consoles are in full working order and cosmetically good condition.

    Features:

    • 48 mono microphone/line inputs, 4 stereo inputs, and 3 Mini-YGDAI card slots (a total of 56 mixing channels).
    • 16 mix buses, LCR bus, 8 matrix channels, and 8 DCAs assignable to 16 omni outputs.
    • Virtual effect and EQ rack: up to 4 simultaneous multi-effect processors; up to 8 simultaneous 31-band graphic EQs.
    • Centralogic interface: central, logical, and intuitive.
    • Dual power modes: use the built in power supply, or add an external PW800W power supply unit for failsafe dual-supply operation.

     

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  • Yamaha MG12-4 – make an offer – 1. available – portable mixer
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    FEATURES:
    12 Inputs
    The MG12/4 features a total of 12 line inputs via 1/4″ TRS balanced Phone connections.

    4 Stereo Inputs
    Input channels 7/8, 9/10 and 11/12 are stereo paired for inputs, suitable for connecting playback devices or keyboards.

    High Quality Microphone Inputs
    Channels 1 through 6 feature high quality mic inputs via balanced XLR connections. The inputs are capable of +48V phantom power.

    Inserts
    1/4″ TRS phone connections are found on every microphone input allowing flexible signal routing to external processors.

    4 Output Buses
    A Stereo Group bus output features a pair of 1/4″ TRS phone outputs. The MG12/4 features a total of 4 buses when using stereo group and main stereo outputs simultaneously.

    Sweepable EQ Section
    All mono channels feature a 3-band EQ with sweepable mid-range and high pass filter.

    CATEGORIES: , , 
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  • Yamaha MG166CX – make an offer – 2. available – 16 channel audio console
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    The Yamaha MG166CX 16-channel live mixing console will give you the capacity, control, and performance you need to get great live mixing results. The MG166CX is remarkably compact and lightweight, but no compromises have been made in terms of features, performance, or durability. You get premium preamps, top-mounted inputs and outputs for easy patching and re-patching, impressive built-in single-knob compression, and EQ that’s practical as well as very musical. All these features plus onboard effects make the MG166CX a great value!

    Yamaha MG166CX 16-channel Live Mixer at a Glance:
    Lightweight and portable
    Versatile connections, handy placement
    Channel compressors
    Top-notch mic preamps with switchable phantom power
    3-band Channel EQ, digital effects, and high-pass filters

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  • Yamaha MG206C – 250.00 – 1. available – 16 channel audio console USB
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    The Yamaha MG Series C models are compact analog mixers with single-knob channel compressors, 3-band equalizers with high-pass filters, and 60mm faders.

    The MG206C features 16 mic inputs, 4 stereo line inputs, 3-band sweep and fixed 3-band equalizers, 6 busses, 4 sends, and 2 stereo aux returns.

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  • Yamaha MG24/14 – make an offer – 1. available – 24 channel mixer
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    Specifications:
    Frequency Response: 20Hz-20kHz
    THD: <0.1% @ +14dB 600 Ohms
    Hum & Noise 20Hz-20kHz: -128dB
    Power requirement: 230v AC 50Hz
    Dimensions: 852 x 540 x 150mm
    Weight: 21kg nett

    Connections
    Inputs: Balanced mic, �” jack line, �” TRS jack insert point. RCA phono on tape return. Unbalanced  XLR3 talkback input is provided for communication to auxiliary sends.
    Outputs: Balanced XLR on Main L/R Stereo Outputs & Mono Outputs.
    Mono output also features a sweepable (80-120Hz) low-pass filter for driving subs. Balanced TRS jack on auxiliary and group outputs. RCA phono on rec out.

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