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Berringer MDX2200 – make an offer – 1. available – 2-Channel Expander/Gate/Compressor/Limiter
- IKA (Interactive Knee Adaptation) compressor concept combines the advantages of “hard knee” and “soft knee” characteristics
- Attack and release times controllable automatically or manually
- Switchable high-pass filter in control signal path avoids low-frequency signals from dominating compressor action
- Compression characteristics switchable between IKA and “hard knee” characteristics
- IRC circuit in expander/gate allows for “inaudible” elimination of disturbing noise signals
- IGC (Interactive Gain Control) peak limiter combines clipper with program limiter circuits
- Extremely low-noise operational amplifiers and high-grade VCAs
- High-quality detented potentiometers and backlit switches
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Yamaha MG12-4 – make an offer – 1. available – portable mixer
[wpforms id="87" title="true"]Read moreFEATURES:
12 Inputs
The MG12/4 features a total of 12 line inputs via 1/4″ TRS balanced Phone connections.4 Stereo Inputs
Input channels 7/8, 9/10 and 11/12 are stereo paired for inputs, suitable for connecting playback devices or keyboards.High Quality Microphone Inputs
Channels 1 through 6 feature high quality mic inputs via balanced XLR connections. The inputs are capable of +48V phantom power.Inserts
1/4″ TRS phone connections are found on every microphone input allowing flexible signal routing to external processors.4 Output Buses
A Stereo Group bus output features a pair of 1/4″ TRS phone outputs. The MG12/4 features a total of 4 buses when using stereo group and main stereo outputs simultaneously.Sweepable EQ Section
All mono channels feature a 3-band EQ with sweepable mid-range and high pass filter.CATEGORIES: AUDIO, MIXERS & RECORDERS, STUDIO MIXERS -
BSS DPR402 compressor: 150.00 – 3. available
Read more[wpforms id="87" title="true"]
The DPR-402 is a 2-channel compressor/limiter, high frequency de-esser and wide band de-esser with peak limiting, adjustable speed, dynamics program manipulation, and full LED metering for both input and output.
Integrated side-chain and gain reduction metering allow for continuous dynamic activity monitoring.
Auto mode provides program dependant attack and release control.
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Drawmer DL441 Compressor: 685.00 – 2. available – quad compressor
[wpforms id="87" title="true"]Read moreThe DL441 Quad Auto Compressor/Limiter captures four channels of Drawmer’s innovative DL241 ‘Auto Compressor’ in only 1U of rack space. The inclusion of new sophisticated ‘automated’ circuitry allows the engineer to precisely control both the dynamic range and ‘absolute’ peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential.
Each channel combines a fully professional ‘Auto Attack/Release’ Compressor with a variable threshold ‘Peak Level’ Limiter on the output providing a transparent ‘endstop’. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations.
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Yamaha MG166CX – make an offer – 2. available – 16 channel audio console
[wpforms id="87" title="true"]Read moreThe Yamaha MG166CX 16-channel live mixing console will give you the capacity, control, and performance you need to get great live mixing results. The MG166CX is remarkably compact and lightweight, but no compromises have been made in terms of features, performance, or durability. You get premium preamps, top-mounted inputs and outputs for easy patching and re-patching, impressive built-in single-knob compression, and EQ that’s practical as well as very musical. All these features plus onboard effects make the MG166CX a great value!
Yamaha MG166CX 16-channel Live Mixer at a Glance:
Lightweight and portable
Versatile connections, handy placement
Channel compressors
Top-notch mic preamps with switchable phantom power
3-band Channel EQ, digital effects, and high-pass filters