Category: AUDIO USED
Showing 13–24 of 41 results
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JBL 2441/2385 – make an offer – 1. available – 2″ driver and JBL Bi radial Horn
[wpforms id="87" title="true"]Read moreHorn and driver
Type Driver unit Throat diameter 5cm Impedance 16 Ω Allowable input 70W (continuous program) Sound pressure level 118 dB (1 mW, 9.1m)
111dB/W/mFrequency characteristic 500 Hz to 18 kHz Crossover frequency 500 Hz or more Magnetic flux density 20,500 gauss (listed in the catalog)
18,000 gauss (described in the technical manual)Diaphragm 0.08 mm Aluminum Voice coil 10 cm Aluminum External dimensions Diameter 178x Depth 136 mm Weight 11.3kg -
JBL 2445/2450 – make an offer – 1. available – 2″ driver and JBL horn
[wpforms id="87" title="true"]Read moreJBL 2445 Hi Freq 2″ Throat Titanium Compression Driver 16 ohm
Diaphragm 4″ titanium with diamond pattern suspension
Voice coil 4″ diameter edge-wound aluminum ribbon
Frequency response 500Hz~20kHz
Sensitivity 111dB 1w/1m on Q=6.3 horn
Power capacity 150w continuous above 1kHz 18dB/oct HPF
Impedance 16Ω
Throat exit 2″ -
JBL/EV 2385/DH1A – make an offer – 1. available – EV 2″ driver and JBL Horn
[wpforms id="87" title="true"]Read moreHorn and driver
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Klark Technik KN360 Make an offer 2. available 31 ban eq
[wpforms id="87" title="true"]Read moreDual 30-Band, 1/3 Octave Analog Graphic Equaliser with Classic Proportional-Q Response
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Meyer SIM III 3022 analyzer make an offer 1. available
[wpforms id="87" title="true"]Read moreFeatures:
- Unprecedented power and speed with more than 2,000 FFTs per second: results at high resolution in less than one second
- The ability to test entire acoustical/electronic systems or individual electronic components
- Voltage and SPL calibrated measurements
- Two line level and mic inputs with instrumentation grade preamps
- Optional external line or microphone signal switchers to expand the number of signal branches to be measured without any re-patching
- Optional internal 2-channel switcher ideal for studio work
- CD-RW storage for analysis data and export to other environments
- Digital signal generator capable of creating a wide variety of test signals
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Meyer Sound UM-1C monitor: 395.00 – 14. available
Read more[wpforms id="87" title="true"]Meyer UM1C / Meyer UM 1C UltraMonitor
- High gain-before-feedback
- Ultra-low distortion
- Ultra-flat frequency response
- Rugged and reliable
Meyer Sound UM-1C is specifically designed for touring reinforcement. Its highly accurate, rugged biamplified system consists of a proprietary 12-inch low-frequency driver in a vented enclosure, and a symmetrical pattern 45-degree high-frequency horn with driver.
Meyer UM-1C proprietary drivers provide exceptional efficiency and power handling, with ultra-low distortion for high clarity.
Very flat frequency response allows control of feedback at high sound levels.
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Meyer UPA-1C – 695.00 – 4. available – Loudspeaker 80 degree
[wpforms id="87" title="true"]Read moreThe Meyer Sound UPA-1C is a compact, high-power arrayable loudspeaker designed to perform in a wide variety of sound reinforcement applications. It is a biamplified system consisting of a proprietary 12-inch low-frequency cone driver in a vented enclosure with an 80-degree horizontal high-frequency horn and driver.
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Midas Heritage 3000: 1. available – 48ch audio console -make an offer
[wpforms id="87" title="true"]Read moreThese console are 44 mono + 4 stereo configuration. The desks are sold fully flightcased with 2 PSUs.
The Heritage 3000 is a unique live performance mixing console that brings complete flexibility to the live console arena. At home in a theatre, an Outside Broadcast Truck, on stage or at front of house, the H3000 offers a unique, easy to use, three position switching system that changes the consoles output functions according to the application.
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Rane SL2 Serrato – make an offer – 1. available – 2 deck interface
[wpforms id="87" title="true"]Read moreA compact, professional 2-deck, galvanic insulated interface packed with creative features to give DJs a competitive edge. Boasting high quality 48 kHz, 24-bit audio, the Rane SL2 includes inputs for 2deck mixing on turntables or CD decks and two software-switchable analog Thru connections for regular vinyl or CD.
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Stanton RM402 – make an offer – 1. available – DJ mixer
[wpforms id="87" title="true"]Read moreMain Features:
- 4-channel mobile mixer in 19-inch rackmount chassis
- Engineered with SST™ for ultra-low noise and zero bleed
- Flexible input section: 3 Phono, 9 Line and 3 Mic inputs
- Fully assignable crossfader with Fader Start function
- Gain control with clip LED on each channel
- Mic inputs feature 2-band EQ and Talkover function
- Dual 7-band master EQ with On/Off switch
- Balanced Master output, plus Zone and Booth outputs
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SYMNET BREAKOUT12: 195.00 – 1. available
Read more[wpforms id="87" title="true"]The SymNet BreakIn12 and BreakOut12’s are one rack space SymNet hardware devices which feature twelve selectable
mic/line inputs (BreakIn12) or twelve line outputs (BreakOut12) to provide additional analog audio I/O to a SymNet system and
are fully setup from the familiar SymNet Designer software. When added to SymNet systems, they can drastically reduce total
system price while greatly increasing input and output capacity.
Unlike the SymNet 8×8, 8in, and 8out DSP units, the BreakIn12 and BreakOut12 contain no DSP processors, a design feature
which accounts for significant cost savings. Because of the tremendous DSP power contained in a single SymNet 8×8 (4
SHARC™ floating point processors), many designs don’t fully utilize the 8×8’s DSP potential. The BreakIO boxes allow you to
tap that full potential. For example, by connecting a BreakIn12 and BreakOut12 to a SymNet 8×8, you create a very powerful
20×20 DSP matrix at an extremely competitive price.
